Chime by Franny Billingsley

I will admit that I read the novel Chime less because it was a finalist for the National Book Award for Young People's Literature than because it was part of this year's controversy surrounding the award. And though I'm sad that its author Franny Billingsley was dragged through an ugly mess that should never have happened, I'm so glad the turmoil put the book on my radar.
This inventive tale about self-perception and memory defies classification, or more accurately, meshes the best elements of many genres seamlessly. It is a coming-of-age story told in first-person by 17-year old Briony Larkin, a self-described witch who believes herself unloveable and controls her awful powers with a combination of strict self-control and self-loathing. It is part historical fiction and magical realism, set in a rural swamp village in England at the height of the Industrial Revolution, where uneducated fishermen, rich businessmen and even the clergy (Briony's father) believe in the Old Ones--the mythical creatures like witches,  pixies, and monsters that control the elements of nature. It is a novel of mystery and suspense as Briony reveals her troubling story: daughter of a distant and oblivious father, twin of a sister whose childlike mentality leaves Briony in the role of constant caretaker, griever of her beloved step-mother whose suspicious death is believed to have been a poisoning. When wild-hearted Eldric arrives in town with his "boy-man" charm and uncomfortable questions, Briony begins to thaw against her will. She finds herself acting like a normal girl when in his company, though always returning to her senses when she remembers how it was her uncontrolled power that caused her sister to fall from a swing and her terrible magic that crippled her step-mother before her death. Briony must ever remind herself she can never have the love story.

While the novel is dense with dialogue and less plot-driven, I was completely riveted by the conflict of Briony vs. Briony and the slowly unraveling mystery of her power and her step-mother's murder. But the true tension comes from the expert use of dramatic irony as I found myself wanting to scream at Briony to realize what was happening at the end...so I suppose the novel is bit horror as well. I thoroughly enjoyed this read and would recommend it highly, especially to those who enjoyed The Thirteenth Tale by Diane Setterfield. And do yourself a favor and get this one as an audiobook because actor Susan Duerden is fantastic in this production by Listening Library.

Incarceron by Catherine Fisher

As a librarian, I am regularly asked "What is your favorite book." I never have an answer for this. I have many "favorites" depending on my mood and what I need from a book at the moment. However, I will admit to a soft spot for the fantasy genre. I know, I know...it's not for everyone, but the thing is, there's a reason why so many books with cult followings are fantasy. Fantasy like the Lord of the Rings, the Chronicles of Narnia, The Wheel of Time, and Harry Potter have all the hallmarks of good storytelling--well-developed characters whose lives and fates you care about, suspense, drama, and compelling themes. But on top of the storytelling the writers of good fantasy have the almost other-worldly ability to invent entire worlds that are simultaneously foreign to us and yet recognizable. They develop entire mythologies and histories for the peoples in their books and often new languages, new environments and new cultures. We fantasy fans are so loyal to these invented worlds because we find them so wondrous and believable that we want them to be real.

So yes, generally, fantasy is my "go-to" genre, but I'm picky about what I label "really good fantasy." In the past couple years, I've added Kristin Cashore's Graceling and Fire to this list, along with Shannon Hale's Books of Bayern series and Elizabeth Knox's awesome Dreamhunter Duet. I am happy to say I've recently added another--Incarceron by Catherine Fisher.

Incarceron is a prison, created as an experimental closed system to rehabilitate and relocate troublemakers away from the "mainland." The book begins several generations after the invention of Incarceron, when the experiment appears to be going horribly wrong. In the opening scenes we meet Finn, a young man surviving in a gang through ruthlessness and street smarts. Finn can't remember his childhood, but he believes he is from the outside--something those around him dismiss as impossible. Through a chance of fate, Finn comes across an enemy who may be able to get him some answers.

Later, we meet Claudia, daughter of the prison warden, and, in some ways, a prisoner herself. She lives in an artificial world where everyone must stay "authentic" to a medieval time period where loyalty to one's lord and king is all. She has been groomed to marry the prince since childhood but knows she is being manipulated. When she breaks into her father's office looking for proof, she finds a key that connects her to Finn. Can Claudia find the door to the prison before her wedding day and without the queen or her father discovering her? Can Finn trust Claudia with his life and the lives of his companions? Ahh...these are just two of the many deliciously suspenseful questions that get answered by novel's end. This book is just full of imaginative detail and wonderful plot twists that will have you holding your breath as you race to end. And kudos to Catherine Fisher for a bang-up finish with an exciting question left to be answered in the next book in the series (I hate this latest trend of first books having a weak or unresolved ending to ensure the need for a sequel). The sequel, Sapphique will be out in stores December 28. I know I'll be there!


To watch the book trailer for Incarceron, check out: http://www.youtube.com/watch?v=sMRFsTwwj_U

Green Angel by Alice Hoffman

Green Angel is a brief, haunting, modern fairy tale by prolific novelist Alice Hoffman. The protagonist, Green, lives with her parents and younger sister on a farm outside an unnamed city where they sell their produce. Always considered the quiet one with the knack for gardening, Green is left behind to tend the crops on one trip. Resentful, Green climbs the hill on the farm overlooking the city and witnesses its catastrophic destruction by a mysterious fire bombing.

In what follows, Hoffman illustrates the process of dealing with trauma and grief through the mind of a terrified, lonely 15-year old girl. Each day Green loses herself more in the armor she literally and figuratively builds around person while discovering a valuable talent for survival that helps keep her and those around her alive.

It's been a long time since I've read a book through in one sitting, and I so relished devouring this one. It's a gem of a book, and a powerful parable on the humanity of grief. I can't wait to read the sequel Green Witch.

Gone by Lisa McMann

Gone by Lisa McMann is the third and final installment of the creepy, minimalist Wake trilogy. If you haven't read the first two, start there, as this review has spoilers. Main character Janie has the ability, or really, is compelled to enter other people's dreams. In the previous two books, Janie discovers she is not alone in this power and that being able to enter people's dreams has its rewards--she can help people find peace by guiding them in the dream and she can uncover crimes and abuse by observing dreams. Unfortunately, she has also discovered using her "gift" will eventually debilitate her hands into useless claws and cause her to go blind.

In Gone, Janie must make an impossible choice a "Morton's Fork"--either stay in her relationship with her love Cabel and keep using her gift as it cripples her or completely isolate herself from the world and all the joy of love, the way her long-lost father did.

As always, McMann writes in a spare, poetic style rich with emotion and depth. Fans of realism and modernism will like McMann's no-nonsense, life is too complicated for a happy ending approach. Though it certainly involves fantastic elements I would classify it more as contemporary, than fantasy. Gone uses more adult language than the previous two books in the series, but it is authentic to the characters' ages and experiences.
Over all, a very enjoyable series, and I know I'll be standing in line to read her next book, Cryer's Cross in 2011.